Tuesday, April 26, 2016

"The Yellow Flower Blues" by Robert Julius

Here is another excerpt from another story I'm working on. I think I may workshop this one for Thursday, April 28.
The Yellow Flower Blues

“Have you ever really noticed—I mean really noticed—how yellow these flowers are?” Elisha asked his friend, Douglas, as they passed the small community garden.

Douglas shrugged. “What? They’re just flowers.”

“Sorry. I guess I’m being weird.”

Elisha and Douglas walked past the same garden every day after school. On this particular spring day, the small yellow flowers really stood out to Elisha as being unusually yellow. In fact, they were so yellow, that it seemed as if the color yellow was based off of these flowers, that every other yellow thing was an imitation of this original. Elisha didn’t know how to communicate this strange feeling to Douglas. As they walked away, past the garden, Elisha stared at the yellow flowers in the garden one last time, but it was gone. The feeling had passed.

The flowers looked as they always had.

The two boys parted ways: Douglas to his home and Elisha to his own. When Elisha walked through the front door, his mom was waiting there to greet him. “Honey, how was school?” Elisha groaned an unintelligible response. He climbed the stairs and secluded himself in his bedroom. He tossed his backpack on the empty desk chair and climbed into his bed. He closed his eyes. He couldn’t figure out what had been different today about those flowers.

Was it the sunshine? It was true that he didn’t live in a particularly sunny town. More than half of the year, the sky was covered in gray clouds. Perhaps they had looked different today because of the sun. Well, yes, they did look different because of the sun, but that wasn’t why Elisha had noticed them. The moment with the flowers wasn’t something that Elisha had seen, it was something that he had felt. Something about the flowers triggered something deep within himself, deeper than he knew was possible.

Elisha walked over to his bedroom window and drew the blinds. He looked outside at the blue, cloudless sky. A gathering of birds formed the letter “V” as they flew past the window. Below, Elisha could see the houses next door. They all looked identical. Each had a flat rooftop, a driveway, a fence, and a small garden. A tree grew in each backyard to provide shade during the summer. Elisha frequently read beneath the tree in his own backyard. Elisha had never really noticed how each house was a replica of the other. He imagined all of the bedrooms in the neighborhood, each with their own Elisha staring out of the window, staring out at the sameness in everything and seeing the same boy looking out with the same eyes.

Then, it happened again.

A bright red cardinal had landed among the many branches of the tree in his backyard. Elisha saw the bird: really saw it, and for a moment, he noticed the qualities of the cardinal and how they were so very… cardinal. There was no other way to explain it. Elisha’s brain could not find a proper word to describe the experience. In fact, Elisha thought to himself that he had experienced a lapse in mind, a break in his thinking, and for a moment, just before he recognized the feeling, he had lost the sense of who he was. In that fleeting moment, Elisha had not existed. He had become the red cardinal, had become the tiny bird feet gripping the oak bark, had become the veins of the tree leaves and the trunk of the tree, had become the very soil which nourished it.

But once Elisha had isolated the experience — once he had named it — everything drifted away, like a dreamer roused from sleep and into consciousness.

The boy didn’t understand the experience. As much as he could remember, he never learned about it in school or church. His parents never taught him about it. So Elisha sat down at his desk, frustrated, and started to work on his mathematics homework. In those numbers, he found only clarity, nothing like the sensation he had felt with the yellow flowers and red cardinal. Elisha completed his algebraic equations, found both “x” and “y,” and once he was done, he had felt smarter for it.

Elisha’s mother called his name from downstairs. Dinner was ready.

#

Elisha and his parents were seated at the dining room table. His mother had prepared her famous roast beef with mashed potatoes and glazed carrots on the side. Everyone ate. The silverware clacking and clinking against the ceramic plates was the only conversation to be heard. Elisha’s father finished first. He always wolfed down his food. He then took out his good tobacco pipe. Elisha’s mother shot him a disappointed stare.

It was Elisha who broke the silence.

“Mom, Dad? I have a question.”

“Yes, Elisha?” his mother responded.

“I’ve been having these weird feelings lately—”

“I think this one is for your father, dear.”

“No, listen,” Elisha said, his cheeks flushing red. He had already had that talk with Douglas and his friends. “Today I was walking past some flowers and then all of a sudden, I really noticed how yellow they were. How perfect they were, just blooming there and being so yellow. Does that make sense?”

“Flowers are quite beautiful, dear,” his mother said.

“Don’t be a pansy,” his father said.

“Harold!”

“I’m sorry,” his father said, blowing smoke. “A young man’s got to be interested in better things than some goddamn flowers, for chrissake.”

Elisha stood up. “But it wasn’t just the flowers. There was also the bird. A red cardinal. It was so red. It was a real, live bird, a bird in the flesh. And it was so… bird-like.

“Jesus H. Christ, Elisha, please sit down,” his father insisted. “A damned bird? This is what you have to say to us? What’s so special about a goddamn cardigan?”

“Cardinal, Harold,” his mother corrected.

“Cardi-I-don’t-give-a-shit!

“Look, right there!” Elisha yelled, pointing at the thin smoke hanging in the air from his father’s pipe. “Do you see it? Do you feel it?”

Just then, Elisha had felt it again.

That feeling that the smoke just… was, that it was inherently smoke, that nothing could change the way smoke was because it just was. It was so beautiful, so simple, and there was nothing else that needed to be said about it. All the answers to all the questions in the world could be found within that smoke, Elisha thought. If it would only stay around for a little while longer, if only it didn’t dissolve.

But no — even the dissolving of the smoke was essential to its strange nature. You couldn’t separate smoke from its physics. Smoke was supposed to thin out. That was just part of smoke, that was part of the grandness of it all. Elisha stared at the smoke, lost in a trance, until he started laughing about it all. Some bizarre joy had arisen from deep within him and he couldn’t help but laugh.

His mother looked blankly at the smoke idling near the chandelier crystals. She wondered what had been so funny about the smoke that had caused Elisha to burst out in laughter. She concentrated. Elisha had stopped laughing. He looked at his mother. For a moment, Elisha was sure that she had seen it. That she had felt it, that magical lapse. Then, his father blew another puff of smoke from his belly, and it pushed out into the air, shifting the old smoke into new patterns. His mother shook her head.

“Elisha, it’s just smoke,” she said. “Speaking of which, your father was supposed to quit weeks ago. It’s bad for his heart.”

Elisha noticed the way his mother spoke to his father without addressing him.

“Marianne, don’t worry about me,” his father said with another puff of smoke. “It’s old Eli you’ve got to worry about. You’d better take him to your shrink. Something ain’t right.”

“He’s just imaginative, dear,” his mother said.

“Just put on the damned television already,” his father said. And he left the kitchen table and plopped down onto the sofa. He had the remote in his hand and he stared at the large flat screen, which reflected the 7 o’clock news in his eyes.

“Honey, aren’t you going to finish eating?” his mother asked.

“I’m not hungry,” Elisha answered. His mother took his plate and ran off into the kitchen. Elisha went upstairs to his bedroom, worried that he might have to see a psychologist. Was there something wrong with him? Douglas hadn’t seen it. His mother hadn’t seen it. His father hadn’t seen it. It was just him. They were only a few moments. Maybe it was all just a mistake.

I’m not going to notice these things anymore, Elisha thought to himself. I’m not going to be the weird one anymore.

"Chicken Skin, Bad Karma, and the Thread" by Robert Julius

Some of what I've been working on. I'm not sure if I will pursue this story for sure. It's a very rough draft:
Chicken Skin, Bad Karma, and the Thread

Bad things happen to me. They just do. I wish I could be one of those people who say they have no luck, but luck can’t be blamed for my misfortune. I suffer from not a lack, but a surplus—a surplus of bad karma.

Karma’s a bitch, so the Western adage goes. I think karma works a bit differently than that. Karma consumes. She devours. She’s made a feast of my life, a full-on, five-course meal. But I can’t play the victim, at least not this time, because I am the one who invited her. In the sixth grade, I killed a girl—accidentally—no, incidentally. Without full knowledge of what I was doing. My bad karma began in a public library.

It all started with a girl called Chicken Skin.

#

In elementary school, she was drawn towards the strangest things: insects, lizards, small creatures that crawled, animals who lived in grottos. She loved fantasy stories and fairytales, anything by which she could be permitted to escape the world and retreat into her unreasonable imagination. She admired what her peers deemed “nerdy,” and for the most part, she didn’t care that she didn’t have too many friends. What really hurt her the most was that in the sixth grade, when she had developed a particularly bad case of eczema, Caroline Adams, the most popular girl in the entire school, got everyone to call her Chicken Skin.

From that day forward, she was known as Chicken Skin.

Chicken Skin, Chicken Skin, Chicken Skin.
#

The mentioning of death mortifies me. When I hear death, see it, smell it from the road kill on the side of the street, I freeze. Stop. I can’t help but think of Caroline Adams and what I did to her. My best friend, Addie, has told me hundreds of times, “Maggie, you didn’t kill Caroline Adams. She was struck by a drunk driver. You didn’t kill Caroline Adams.” But Chicken Skin couldn’t believe that, and she wouldn’t let herself believe that. She didn’t believe in believing in a lie.

#

When she was in the sixth grade, Chicken Skin was deeply fascinated by the fringe. She was an odd girl, often aloof and alone. She used to wander aimlessly throughout the Pennsylvania wilderness that pressed up against her backyard. She followed a small footpath that meandered in between blackberry brambles and pokeweed. She walked until she reached a creek, where she would lift the rocks and look for salamanders beneath them.
#

She passed up a book in the public library one day: Black Magic, The Occult, and The All-Seeing Eye by R.J. Merriwether. As she felt the spine of the book, a shiver ran down her own. The book was old, bound in worn, brown leather. She picked it up and flipped through its yellowed pages. She started reading from one:
Black magic. Black magic has the power to harm your enemies. But spell casters beware: what you send out inevitably comes back to you. It is my advice to caution you against black magic or the use of these spells. Spell casters: use these at your own risk.
 When Chicken Skin read this, she immediately thought of Caroline Adams. Caroline was the snotty little girl who made up the name “chicken skin” in the first place. After that, the entire school started to call her Chicken Skin. Maggie hated Caroline Adams. So she decided to check the book out.

The librarian looked at her curiously through her glasses. “I’m sorry, young lady, but you have to be 16 or older to check out this book. It’s restricted,” she said, pointing at the restricted sticker on the side of the binding. Chicken Skin frowned and walked out of the library. She would have to come back tomorrow and steal the book from the library.


#

Chicken Skin narrowly escaped the library with the book in her large overcoat pocket that she had taken from her mother. The library, who had been shelving books, did not see her leave the scene of the crime. Chicken Skin walked back home and went downstairs into her observatory.

The basement was cluttered with tanks and critter carriers, tons of books about Pennsylvania plants and insects. When she grew up, Chicken Skin wanted to be an entomologist, or a biologist, or a gardener. She hadn’t decided which one, but all of these interests were deep at heart.

When she got to her reading chair, she removed the book from her jacket and sat down. She opened the book to the section about black magic. Again, she read the warning. Bad karma. This didn’t matter to her. She thought only of her anger for Caroline Adams, how even her best friend wouldn’t come over to her house anymore because Caroline Adams had told everyone that her mom is a nurse, and that her mom says that chicken skin spreads.

“It’s chicken pox, not chicken skin,” she said to herself. “Eczema isn’t contagious.”

Chicken Skin knew this, but there was no way of convincing her friends. She read through the black magic spells in the book. Most of them involved materials she didn’t have: plant oils, candles, a full moon, blood sacrifice. But then, she stumbled upon one spell that was perfect for her situation. It was a spell that required only a single thread.

Three knots, and with each knot, Chicken Skin had to think of the anger and hatred inside her for Caroline Adams. When she tied the first knot, she thought of how Caroline Adams first looked at her eczema and called her “chicken skin.” The kids around her started imitating chickens, bawking around her and flapping their arms folded into wings. With the second knot, she thought of how her best friend, Manny Moore, called her one day after school and said they couldn’t be friends anymore. She tied the second knot with the worst feeling of betrayal. Finally, she tied the third knot, and with this knot, she thought of Caroline Adams’s smug face, her blonde hair, and smooth skin. She wanted so desperately for something terrible to happen to Caroline Adams. Chicken Skin wanted her to pay. 

She wanted Caroline Adams to feel what it was like to be ostracized by everyone in the school.

Tomorrow, she would follow the spell book’s instructions and place the string among Caroline Adams’s belongings. Then, she would get what she had coming.

Wednesday, April 13, 2016

LitPubCrawl 2016

On Tuesday, April 12, I had the pleasure to attend the Literary Publishing Crawl organized by the English Department, Wilkinson College, and Leatherby Libraries. The event took place on the fourth floor of Beckman Hall and featured writers Gordon McAlpine, Ryan Gattis, Janna Levin, and Pico Iyer. The discussions were moderated by Professor Jim Blaylock.

As a creative writing student and emerging writer, I am constantly on the prowl for opportunities where I can listen to other writers. I love to learn how they found success in their writing and ask questions. I took home a little something from each of the four writers that presented at LitPubCrawl.

Gordon McAlpine was the first writer to present. He talked a lot about the publishing industry and the importance of finding an agent. He gave some good advice about writing query letters, too. He talked about writing what you know vs. writing to discover what you know, which was interesting because it had been a topic we discussed in Short Stories in class that day. Ultimately, McAlpine seemed to enjoy the idea of writing to discover: "When you find out that you are the creature of the book, it can be bizarre."

The second writer was Chapman alumnus Ryan Gattis. Ryan's most recent book involved a lot of research in Los Angeles, meeting with former gang members and getting a sense of the streets in LA. He talked a lot about the importance of research, and how that in publishing, there has been a lot of success in niche markets with smaller, independent presses. Ryan's story about meeting with former gang members was very interesting.

Janna Levin was the third writer to present, and I think she really captivated all of us when she started to talk about black holes and the mysteries of the universe. An astrophysicist, Levin's take on writing was very interesting because she mixes these elements of big science into her writing, sometimes nonfiction, sometimes fiction. Levin talked to us a lot about what happens when two black holes collide, and how the sound of this event occurring was recently recorded in February. Her passion was so inspiring, and what I took away from her speech was that a writer really needs to focus on a project at hand -- that project needs to be all that you are thinking about so you can marinate in it.

Finally, Pico Iyer spoke last, and judging by my page and a half of notes, I think he made the biggest impression on me. The way he spoke was captivating, and everything that came out of his mouth sounded seemingly profound. Iyer reminded me a lot like myself; he stated that for him, the greatest adventure comes at the desk, in the task of writing, and that everything else after (including publication) is a tax and a disappointment. How curious! Iyer spoke about the benefits of being an English major, and how this taught him to read the world through literary eyes. He, too, spoke about writing as an act of discovery, and advised all the young writers to write, write, write!

This event was super awesome, and I love that Chapman holds things like this for their English & Creative Writing students. Small things like this really go a long way to support students in their endeavors and dreams. Sometimes, when I think about my student loan debt, I wonder if I made the right choice to come to a private school all the way across the country to study something like writing. But then, events like this take place, and I'm reminded of all the places I've went and the things I've done since being at Chapman, and I am never disappointed in my choice.

After all, like Pico Iyer said in his talk, most of his banker and lawyer friends tell him they secretly wanted to be writers. We're onto the right thing. We're the ones who are brave enough to do it, giving into the unreasonable imagination within ourselves.

Tuesday, April 12, 2016

Join Calliope!

Calliope Art & Literary Magazine, Chapman University's undergraduate/graduate journal, is now accepting applications to be a part of the editorial board. If you are interested in a career in the publishing industry or you would like to spend late nights hanging out with people who are crazy about literature, Calliope is for you. The deadline to submit your application is April 22.

For more information, visit Calliope's blog!

Reading at The Ugly Mug

Last Wednesday, I had the wonderful opportunity to be a featured reader at The Ugly Mug in Orange. Two other Chapman poets and I read some of our own work and work from Calliope Art & Literary Magazine.

This experience was a lot of fun for me. I really enjoy sharing poetry, and it's especially fun when you get the opportunity to share your own work, as well as some of the great work that has been published in Calliope over the years.

I read the first poem that I ever had published -- a short poem called "Of Monsters and Men." It was published in the Fall 2013 edition of Calliope, which was released my first semester at Chapman as a freshman. I joked with the crowd: "This is the first poem I've published. I'll read some newer ones later tonight, so we can see how I've grown -- or degenerated -- as a poet." That, and the actual content out of the poem got everyone laughing and in good spirits.

Of Monsters and Men by Robert Julius 
Spider, spider on the wall,
it is vile to watch you crawl!
You're an eight-legged, web-weaving creep
trying to kill me while I sleep!
Too many eyes for such a small face,
we should exterminate your entire race!
I fear to touch you, so I'll take my shoe
and to your death I shall smother you! 
Human, human in the room
if only like the microscope, could you zoom.
But you see only with narrow-lens eyes,
fashioned in clothes which act as disguise.
You have forgotten that you, too, are a creature.
So lean in closer, and let me play teacher:
You tell me, "You are of monsters, and I am of men,"
but you are more monster than you are man, friend.

After this, I read a few poems by some other Chapman poets, and of course, a few poems that reflect my recent work. The night was a lot of fun! I've gone to the readings at The Ugly Mug a few times before, but it was a lot more fun when I was able to go on stage and read for over ten minutes. For those who are interested, poetry readings at The Ugly Mug happen each Wednesday at 8 PM. There is a $3 cover charge to get in.

Reading as a Writer: "Surrounded by Sleep" by Akhil Sharma

I've been stuck at the bottom of a swimming pool for months. Trying to swim. Trying not to drown. Trying to empty the water from my lungs. Trying to vomit it out from my stomach. But nothing works. And the top of the pool is like glass, is like ice, and I can hear the voices of Mother, of Ajay, of Father and uncles and aunts, but there's nothing I can do to break the surface.

Ajay comes often. When he does, he brings comic books, and he reads to me. Sometimes his feet penetrate the surface of the water, and like a catfish, I am able to swim among his toes. I am able to sense the way his feet smell with my whiskers. If I listen closely, I can hear the voices of Clark Kent and God and Ajay, and there is Mother in the back snoring, and they all want me to come out of the water so badly, but I've grown fins. I can't leave.

Then there are the aquarium technicians who make sure the pool has the right pH. They make sure that the water is rich in nutrients and they feed me. I am always the same.

Sometimes, I spot Father lurking at the edges of the pool. He looks blue from down here. He looks like a blur, like trying to find the right station on the radio. Static. Even from down here, I can smell how he has changed: the cigarettes, the beer, the heavy breathing from gaining extra weight. I know he keeps Ajay company. Someone has to. Ajay does not do well alone.

Mother is always at the edge of the pool, but she never comes in. She doesn't even stick her feet in. Sometimes, her tears fall like the Ganges, like the hair of Shivaji, and they pool into the basin where I swim. Mother's tears are full of grief, full of anger and regret for having let me go swimming that day. If I could, I would tell her that there was nothing she could have done to change what happened.

If I could, I would break the surface. But I am stuck, swimming in the blue, going from edge to edge, top to bottom, always a world away.